#Jason statham movies on netflix 2017 movie#

More powerful than any moment of ass-kickery is the one where Statham encounters his ex-wife (and mother of his young daughter) in a grocery store and offers an apology for his absence.

Knight knows where StathamвЂ™s magnetism comes from and heвЂ™s not afraid to exploit it. Knight stays on moments just long enough to feel like, instead of observing the camera is imposing, even when he branches out stylistically (like the moment where StathamвЂ™s posh apartment is flooded with hummingbirds).

With вЂњRedemptionвЂќ heвЂ™s able to indulge in that obsession fully, with tangential trips into the back rooms and darkened corridors that the elite establishments are built upon but rarely glimpse themselves вЂ“ the kitchen of an Asian restaurant, the office of a shabby church. вЂњRedemptionвЂќ was written and directed by Steven Knight, the absurdly talented writer behind the screenplays for Stephen FrearsвЂ™ вЂњ Dirty Pretty ThingsвЂќ and David CronenbergвЂ™s вЂњ Eastern Promises.вЂќ If Knight has a thematic obsession, itвЂ™s the underground world of EnglandвЂ™s working poor, the way that the people behind the scenes form an invisible, often dangerous network that goes largely unseen by most people (even with drones hovering in the skies and CCTVs perched at every corner). The character, now simmering with perfectly Statham-calibrated rage, vows revenge. Soon, Jones is confronted with a ghost from his past вЂ“ the young girl that Jones was with on the night that he slipped into his new identity has been forced into prostitution and subsequently murdered by a man who terrorizes hookers. With his new money, he gifts the soup kitchen run by the saintly Sister Cristina ( Agata Buzek) with lavish food items and hands the nun a wad of cash, which she spends on a ticket to the ballet. Jones settles into his new life, first as a dishwasher and then as an enforcer for the Asian mob, run by the always-terrific Benedict Wong.

#Jason statham movies on netflix 2017 movie#

This is, after all, a movie about faith and fate and, as the boring American title would suggest, redemption. ItвЂ™s a little too convenient, plot-wise, but it gives вЂњRedemptionвЂќ (released overseas with the much cooler moniker of вЂњ HummingbirdвЂќ) an almost Dickensian flavor. Jones looks around the apartment and comes to learn that the photographer is going to be out of town for the next several months. One night some thugs come to rough up the homeless residents of a shantytown where Jones is staying and he barely makes it out alive вЂ“ he climbs onto a rooftop and jimmies his way into a luxurious apartment owned by a fashion photographer. HeвЂ™s an alcoholic and struggles with mental illness.

Statham plays Joey Jones, who we learn from a jittery title sequence that plays on both the surveillance utilized in the Middle East and LondonвЂ™s own CCTV atmosphere, was a Royal Marine who is now living on the streets after something conceivably very unpleasant went down. The promise of violence is its own kind of allure. But as he proved in last yearвЂ™s criminally underrated вЂњ SafeвЂќ and again in this weekвЂ™s weirdly buried вЂњ Redemption,вЂќ itвЂ™s when heвЂ™s quiet that Statham is the most powerfully devastating, like an undetonated bomb in a church square. A rough, sexually viable action star in the mold of Charles Bronson, Statham is an actor whose mere presence in a movie almost guarantees mass destruction and piles of bloodied, bruised, and beaten bodies. In recent years, Jason Statham, with his stocky frame, bald head and gravelly voice that makes him sound like heвЂ™s always gnawing on broken glass, has become a kind of one-man wrecking crew, and not just because of his appearance in the вЂњ Crank,вЂќ вЂњ TransporterвЂќ and вЂњ ExpendablesвЂќ franchises.